This is the first in a series of personal reviews of Tangerine Dream related material.
Electronic Meditation

Release Year: 1970
TD Time Period: The Pink Years
Personal Background
When I first came acquired my copy of this LP back in oh…around 1985, my parents nor my family really knew what to think of me
. Sure, they gathered I was not the typical teenage boy who either listened primarily to Heavy Metal, Rock, Pop, etc, but they didn’t know what to make of the “noise” (as they called it) coming out of my room
.
They would make comments such as “That’s just a bunch of nonsensical noise!”, but I knew better.
I would say to myself “This means something, this is important!” (Ok, so I stole that line from Close Encounters of the Third Kind, but hey…it’s what I was thinking)
Let them say what they wanted….I was hooked
.
Now it wasn’t your general cruise in the car kinda music (although I did do that…….down long dark roads…to enhance the experience
), but I found it to be quite enjoyable myself. Call me weird…I don’t care.
I won’t go into the details on the background on this release, but leave it to you to check out the Electronic Meditation details at Voices in the Net for that.
This was one of the first times I’ve sat down to listen to this release in many, many years since it wasn’t until recently that I re-acquired it on CD after not having a turntable for long time.
The Review
This was one of the first times I’ve sat down to listen to this release in many, many years since it wasn’t until recently that I re-acquired it on CD after not having a turntable for long time. Amazingly, I find that I still really enjoy this CD.
I don’t think I would recommend this though as an introductory to the whole Tangerine Dream phenomena, as I don’t believe it truly expresses what captivates so many Tadreamers out there, except for the pure experimental bliss of it. If you’re going to be a fan, you definitely do have to experience this introductory CD to a band that has survived now for nearly 40 years and continues to make music, stretch and explore
Genesis
This track begins with an ominous series of chords with random pops, sinister faux ghostly howls, and guitar slides that lead to some real jazzy flute riffs and percussion towards the second half of the song. Totally experimental, yet finalizing in a structured pattern of percussion and flute riffs as it heads to sudden and climatic change into the next track.
Journey Through a Burning Brain
Various guitar slides and plucks bring us along for a Journey Through a Burning Brain. A low deep background hum brings us into a series of structured chords played via organ which provide the background and more experimental sounds on top. Eventually the organ takes over to provide a majestic introduction to the next section of the song where once again, flute, percussion and more structure are introduced culminating into the main theme of the song. Flute and guitar riffs are once again embellished on top of the hard pounding drums, and we rise to yet another climatic change and then back to the majestic organ chords as we fade out.
Cold Smoke
Drastically different than it’s predecessors, this time a softer gentler introduction, yet you are shocked by a quick but rapid burst of instruments, then soft and again, a shocking thunderbolt of instruments. We then begin down an series of experimental sounds…altered guitar sounds, pops. Finally we move into a structured rhythm and organ chords riffs, with constant experimental electronic sounds spread throughout. One unknowing of the intent of the album may be concerned that they are having technical difficulties or shorts in the wiring system of their speaker, or interference, but just know…this is intentional
. We then begin to hear Edgar Froese move into some really cool guitar riffs panning from left to right reminiscent of the 60’s style of psychedelic rock and roll, suddenly ending with heavy breathing.
Ashes to Ashes
More of the experimental electronic sounds as in Cold Smoke lead us into Ashes to Ashes, but this time we immediately begin with a structured bass line, rhythm, enhanced by more guitar riffs. Still a total experimental psychedelic jam session, but with primarily structure throughout except for the flute riffs.
Resurrection
This track ends with a majestic series of organ chords, with reversed dialog overlaying on the first half of the track. I remember playing this backwards on my turntable to try to figure out what was being said
. Voices in the Net notes that the words are probably taken from a British custom’s visa document, and wikipedia notes that it is Edgar Froese reading from the back of a ferry ticket from Dover to Calais. It suddenly fades and we begin an almost clone of Genesis. (It may in fact be the exact first 2 minutes from Genesis as far as I can tell)
In Conclusion
Some may not enjoy this release as much as I do, but as I noted before, Call me weird…..I don’t care. Not only was this one of the first TD releases I heard, it was also my introduction into the realm of experimental music, and I honestly enjoy it.
Keith Richie
November 21, 2006
References:
The Official Tangerine Dream Website
Voices in the Net
Electronic Meditation details at Voices in the Net
Electronic Meditation details at Wikipedia
The Tangerine Dream Collection Project at indieOpolis